The film shines in its use of the camera as its own character. Director RaMell Ross offers movie-goers a new way of seeing a film. It's told with a first-person point of view perspective ...
Ollie Ramell Shafer of Erie age 85 passed away on Saturday, December 21, 2024. She was born in Albemarle, NC, on August 6th, 1939, the daughter of the late Coy and Lucy Brown Wise. Ollie graduated ...
The human-interest biographies that air during the Olympics invariably frame their subjects’ stories as tales of resilience in the face of impossible odds. But rarely do they capture long shots ...
No two filmmakers travel the same path to their chosen profession. RaMell Ross has traveled one unlike that of almost anyone else to direct his lauded feature debut, "Nickel Boys." Before adapting ...
No two filmmakers travel the same path to their chosen profession. RaMell Ross has traveled one unlike that of almost anyone else to direct his lauded feature debut, "Nickel Boys." Before adapting ...
Nickel Boys director RaMell Ross explains his decision to film the movie point-of-view style and reveals how he found the perfect cast. Burt, beloved crocodile from 'Crocodile Dundee,' dies at ...
In “Nickel Boys,” RaMell Ross uses what he calls “sentient perspective” to convey the characters’ view of their world. Critics say the result is stunning. RaMell Ross in Central Park.
We also have an interview with "Nickel Boys" director RaMell Ross, who spoke with Miller prior to the film receiving a nomination for best drama. Miller also talked with Aunjanue Ellis-Taylor ...
Director RaMell Ross’ Nickel Boys is one of the boldest literary adaptations Hollywood has ever produced. Based on Colson Whitehead’s Pulitzer Prize-winning novel, the film follows two young ...
RaMell Ross and Coralie Fargeat Talk ‘Nickel Boys,’ ‘The Substance’ and Using the Camera as ‘The Eye of Society’ | Visionaries As filmmakers RaMell Ross and Coralie Fargeat made two of ...
While Fray always wants his camerawork to feel vulnerable, director RaMell Ross‘ vision of shooting the film with the camera’s first-person point of view blurred the usual roles on set ...