Greaser’s Palace (Robert Downey Sr., 1972). Courtesy of Anthology Film Archives.

This article is part of Film Comment’s Best of 2025 coverage. Read all the lists here.

Expanded time: exceptional scenes from Happyend, The Mastermind, and The Secret Agent stir the viewer out of the solipsism of ...

The results are now in for our 2025 poll of Film Comment ’s contributors! On this page, you’ll find our list of the 20 best ...

Drumroll, please: critics Bilge Ebiri and Amy Taubin join for a real-time countdown of the films topping our year-end critics ...

(Bruce McDonald, Canada, 2008)Early on a frigid Valentine’s morning in some desolate village within the Ontario hinterland, talk radio DJ Grant Mazzy (Stephen McHattie) is assailed by an unidentified ...

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Back in the day, Tucson photographer Bob Broder used to string for The Arizona Republic. Eric Kroll, another local—and former Taschen book editor—recently unearthed a stash of negatives Broder shot on ...

Streaming PickLarry Clark's photographs and films dwell on the twilight of adolescence and the dawning of adulthood, often featuring violent collisions between seductive, impersonal cultural forces ...

By Grady Hendrix in the March-April 2020 Issue P erpetually out of step, Shinya Tsukamoto goes where his gut leads him, handcrafting freaked-out sci-fi nightmares from 8mm, 16mm, 35mm, digital video, ...

It’s a sign of how quickly things change in the movie business, but there was no such thing conceptually as a “reboot.” That idea didn’t exist when I came to look at Batman. That’s new terminology.