Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made ...

Do not adjust your sets or fear that you've lost consciousness. Marking one of the more intriguing director-actor pairings in ...

In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the ...

In Everytime, a sun-dappled film about death and love that might be the best in Cannes this year, the terrible loss of a ...

Almost ten years to the day since The Neon Demon’s premiere, Nicolas Winding Refn returns to Cannes with Her Private Hell—a ...

Garance (Adèle Exarchopoulos) is her name, and she’s proud of it: of being a feminist, a liberated woman, of having caring ...

The tides of cinema history have somehow obscured Liliane de Kermadec's Aloïse, where one role is inhabited by two of French ...

It’s never night in Hope Harbor. At least so long as we’re there. The eschatological events of writer-director Na Hong-Jin’s high-octane, highly anticipated Hope unfold over the course of one long, ...

Little word that comes out of Cannes is likely to match the news of Kenneth Lonergan's return. A full decade since Manchester by the Sea (and two from Margaret's production), the writer-director has ...

A pair of international cinema's greatest directors have confirmed their next features. First up, while Jia Zhangke is at ...

That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and originated as an NFT—can get a theatrical release makes especially odd the stranding of Serpent's Path, a wholly ...