Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes ...
First performed in England in 2017, this version of A Christmas Carol was written by Jack Thorne, with the stage adaptation ...
Here You Come Again has moments of charm and beauty, but it’s the band, the design team, and the cast’s sheer effort that ...
Chenoeh Miller is a theatre director, artist producer and sometimes reviewer, based on Ngunnawal Country in Canberra. Venue: ...
Maudlin Mandy is morose. It’s the opening of her karaoke bar, Money Money Karaoke and her 38 th Birthday. Her ...
Canberra stalwarts Bridget Croft (vocals) and Jenny Spear (vocals, acoustic guitar), joined by an exceptional lineup: Paul Kindermann on bass, Ged Corben on pedal steel, Ian ‘Jonno’ Johnson on drums, ...
For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.
Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, ...
Before taking husband Joe’s surname of Bradshaw and raising kids through to independent adulthood, Shirley’s life in Liverpool was far more exciting. Now 42, there’s an unexpected chance for a break ...
Above – Will O'Mahony, Emily Rose Brennan, Deep Sroa and Ratidzo Mambo. Cover – Emily Rose Brennan and Deep Sroa. Photos – Daniel J Grant The title of this play takes its name from a “drinking game” ...
Described as “a powerful meditation of life, death and change”, The Lark is an incredible new solo work written specially for national treasure Noni Hazlehurst by celebrated playwright Daniel Keene ...
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