Art thieves are so back. The opening cut of Kelly Reichardt’s newest film, “The Mastermind,” positions the viewer from the perspective of a painting that James “J.B.” Mooney (Josh O’Connor) stares at.
Ever since The Asphalt Jungle, John Huston's 1950 film about a jewel robbery, audiences and filmmakers have loved heist movies. You get the precise laying out of the plan, the robbery itself, the ...
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