Love it or hate it, Emerald Fennell's provocative Wuthering Heights is an undeniable visual feast. It stirs up the passion, obsession, and inner turmoil between Margot Robbie's Cathy and Jacob ...

Add Yahoo as a preferred source to see more of our stories on Google. He has become the master of framing the everyday like a portrait. Each moment from one of his films is worthy of being hung in a ...

The Oscar-winning DP, behind the camera for two wildly different epics this year, explains why shooting on film is better than digital. Both were shot on Kodak film — Sandgren's prefered format for ...

Steven Weintraub launched Collider in the summer of 2005. As Editor-in-chief, he has taken the site from a small bedroom operation to having millions of readers around the world. Over the years, he ...

As much as the Swedish DP may enjoy shooting in IMAX, Emerald Fennell's vision for her reimagining of Emily Brontë's seminal novel had a different ambition than the one he fulfilled for Denis ...

Oscar-winning cinematographer Linus Sandgren discusses shooting Barry Keoghan's naked dance and other disgustingly beautiful moments in 35mm for the fearless Emerald Fennell. “Saltburn,” Emerald ...

ComingSoon Senior Editor Brandon Schreur spoke to Wuthering Heights cinematographer Linus Sandgren about Emerald Fennell’s romantic period drama movie. Sandgren discussed how they approached the ...

Shrishty is a decade-old journalist covering a variety of beats between politics to pop culture, but movies are her first love, which led her to study Film and TV Development at UCLAx. She lives and ...

The Oscar winner, who has 'Dune: Part 3' in theaters this December, says of choosing which format to shoot a film on: "It's a tool to serve the story." By Brian Davids Writer When it came to landscape ...