This is the 16th of these monthly columns about £1 classical music records. I’ve learned so much researching them, but let me tell you: there haven’t half been times when I’ve found myself staring ...

Last year, the resolutely nonconformist composer, educator and percussionist Tyshawn Sorey was a finalist for the Pulitzer Prize in Music — a rare honor in itself, and a confirmation of the esteem ...

Performances in N.Y.C. Advertisement Supported by By Johanna Keller SAMUEL BARBER’S Adagio for Strings begins softly, with a single note, a B flat, played by the violins. Two beats later the lower ...

Claudio Fasoli has had a long and varied career as a jazz saxophonist. In the early seventies he was part of an electric jazz group called Perigeo. The next decade saw a shift into acoustic jazz. But ...

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem. Samuel Barber's Adagio ...

This new book about Samuel Barber’s famous, eloquently mournful “Adagio for Strings” is 262 pages long. About one-fourth of those pages are eminently worthy of the music lovers’ careful attention. In ...

Film soundtracks from Flashdance to Gallipoli have called upon the stately spare sadness of Albinoni’s Adagio, so much so that it has been denuded of meaning. The work itself isn’t even authentic.

Last year, the resolutely nonconformist composer, educator and percussionist Tyshawn Sorey was a finalist for the Pulitzer Prize in Music — a rare honor in itself, and a confirmation of the esteem ...